28.4.15

I want my work to be stronger, to taste saltier, to mix blood and surf and sweat.


I've been trying to react and interact. To be not alone.

I suspect that the photobooth portraits are a reactive effort after being submerged in the isolating text-world of the computer, the answer to the sudden reemergent question of "where/what have I been this whole time?" A relocation, a shot-reverse shot.





When I'm shooting film there is none of that; since the eye is my eye there is no reverse shot.


To immediately backtrack, I've been shooting some timer self-portraits in the woods. I'm ashamed how long it's been since I went out.



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